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With our submission window set to open in less than a week, we'd like to take a moment to introduce you to this year's judging panel.  This year, we're super excited to announce that Christopher Allen, Joanna Campbell, Tracy Fells, and Damhnait Monaghan will be reading your submissions.  These fantastic flash writers, readers and editors will be doing it all: reading all the submissions that come in, compiling a shortlist, and then deciding on the winning and highly commended pieces.

Our submission window opens on Wednesday, 1 December 2021 and closes on Tuesday, 15 February 2022.  We will be announcing results on or before 15 March 2022We'll be reading flash of up to 100 words on any theme, but we are not able to consider simultaneous submissions this year.

For the 2022 competition, we're thrilled to be able to increase our prize pot by including cash prizes for all of our highly commended runners-up as well as our first, second and third place winners. All winning and commended pieces will be published online as well as in the 2022 National Flash Fiction Day print anthology. Check back on 1 December for full details and submission guidelines.

In the new year, we'll be posting interviews with our judges so you can get a better sense of what they're looking for, but in the meantime, you can read more about each of them below.

Huge thanks to our judges for taking on the 2022 NFFD Microfiction Competition and we look forward to reading your work!


2022 Microfiction Competition Judges

Submissions are open from 1 December 2021 to 15 February 2022.

Chris AllenChristopher Allen is the author of the flash fiction collection Other Household Toxins and the editor-in-chief of SmokeLong Quarterly. His work has appeared in Indiana Review, Split Lip, Booth, The Best Small Fictions and many other fine places. An instructor for more than 30 years, he teaches the flash narrative in workshops around the world, mostly online these days. He is a nomad.

Joanna CampbellJoanna Campbell is a full-time writer from the Cotswolds. Her short stories have won first place in the 2011 Exeter Writers competition, the 2013 Bath Short Story Award Local Prize, the 2015 London Short Story Prize, the 2018 Magic Oxygen Literary Prize and the 2018 Retreat West Short Story Prize. Joanna’s flash fiction won second place in the 2017 Bridport Prize, for which her short stories have been shortlisted many times. Her novella-in-flash, A Safer Way to Fall, was a runner-up in the inaugural Bath Flash Fiction Award and published in How To Make A Window Snake (Ad Hoc Fiction). Her short story collection, When Planets Slip Their Tracks, was published in 2016 (Ink Tears). It was shortlisted for the Rubery International Book Award and longlisted for the Edge Hill University Story Prize. Her novel, Tying Down The Lion, was published in 2015 (Brick Lane Publishing). Her next novel, Instructions for the Working Day, will be published in 2022 (Fairlight Books). She is on Twitter at @joannacampbell_.

Tracy FellsTracy Fells was the 2017 Regional Winner (Europe and Canada) for the Commonwealth Short Story Prize. Her short fiction has been widely published in print journals and online, including: Granta, Brittle Star, Reflex Fiction, Popshot Quarterly, Firewords, Funny Pearls and the Bath Flash Fiction Award anthologies (2019 & 2020). She has been shortlisted for the Bridport and Fish Flash Fiction prizes, placed in the Reflex Fiction competition and Highly Commended in the NFFD Microfiction competition (2016 & 2020). In 2016 she was awarded an MA with Distinction in Creative Writing from Chichester University. She is a regular reader for several large short story competitions and leads writing workshops on short fiction. Tracy also writes novels and was a finalist in the 2018 Richard & Judy ‘Search for a Bestseller’ competition. Her debut novella-in-flash Hairy on the Inside was published by Ad Hoc Fiction in 2021. She tweets as @theliterarypig.

Damhnait MonaghanDamhnait Monaghan was born and grew up in Canada but now lives in the U.K. Her flash fiction has won or placed in various competitions and is widely published and anthologised. She has been nominated for the Pushcart Prize, Best Small Fictions, and Best Microfictions. Her novella in flash The Neverlands (V.Press) won Best Novella in the 2020 Saboteur Awards. Her debut novel New Girl in Little Cove is out now with Harper Collins.

 

The start of our 2022 Anthology and Microfiction Competition submission windows is just around the corner, so we thought we'd introduce you to this year's editor and let you in on the 2022 theme.

We are delighted to announce that the 2022 National Flash Fiction Day anthology will be edited by NFFD's Karen Jones and Guest Editor Chris Drew.

The theme of this year's National Flash Fiction Day Anthology is FREEDOM.

What do you think of when you think of freedom? Freedom from, freedom to do, freedom to be?

Does your mind go to prisons and zoos or to protest marches and politics or to leaving the office on a Friday, packing a bag and heading off on holiday? Or is it simply freedom of thought? Or is it George Michael belting out that classic? But maybe you have a very different view of freedom; go on, surprise us!

Feel free to interpret FREEDOM however you wish, in 500 words or fewer, and submit your stories by 15 February 2022.

We'll be opening submissions on 1 December 2021, at which time you'll be able to read our full anthology submission guidelines here or on Duosuma.

We're looking forward to reading your work!


 2022 National Flash Fiction Day Anthology Editors
Anthology Submissions are open from 1 December 2020 to 15 February 2022.

Photograph of Karen Jones Karen Jones is a flash and short story writer from Glasgow, Scotland. Her flashes have been nominated for Best of the Net, Best Micro Fiction and The Pushcart Prize, and her story Small Mercies was included in Best Small Fictions 2019 and BIFFY50 2019. In 2021 she won first prize in the Cambridge Flash Fiction Prize, Flash 500, Reflex Fiction and Retreat West Monthly Micro and was shortlisted for To Hull and Back, Bath Flash Fiction, Bath Short Story Award and longlisted for Fractured Lit Flash Fiction Prize. Her work has been published in numerous anthologies and magazines. Her novella-in-flash, When It’s Not Called Making Love is published by Ad Hoc Fiction. She is Special Features Editor at New Flash Fiction Review.

Photograph of Chris DrewChristopher M Drew is a writer from Yorkshire. He started submitting flash fiction in 2015 and since then has been published widely in online journals and print anthologies. He has won second prize in the Bath Flash Fiction (2016), Reflex Fiction (2018), and Forge Literary Flash Fiction (2019) competitions. His SmokeLong Quarterly story Alligator was selected for Best British and Irish Flash Fiction 2019, and When we were young, originally published in trampset, was selected for Best Microfiction 2021. He has been nominated for Best Small Fictions and Best of the Net, and was one of the founding editors of the historical flash fiction journal FlashBack Fiction. You can connect with Chris on Twitter (@cmdrew81), or through his website (https://chrisdrew81.wixsite.com/cmdrew81).

It may be cold and dark out, but we’re already dreaming about a flash-tastic summer, and making plans….

First and foremost, mark your calendars: we’re delighted to announce that National Flash Fiction Day 2022 will take place on Saturday, 18 June 2022. We’ll celebrate with a day full of flash fun involving writing prompts, a 24 hours of flash publication at FlashFlood, and the launches of the 2022 NFFD Anthology and our Novella-in-Flash Award winner’s novella, among other things.

If you’d like to get involved (and we hope you do!), here are some dates to look out for:

  • 1 Dec 2021 – 15 Feb 2022: Anthology Submissions
    We’re looking for flash up to 500 words for the 11th annual NFFD Anthology...with our 2022 editors and theme to be announced very soon.
  • 1 Dec 2021 – 15 Feb 2022: Microfiction Competition Submissions
    We’ll be accepting microfiction competition entries for flash up to 100 words for our annual microfiction competition. There is no theme for the microfiction competition
  • 2 May 2022 – 8 May 2022 (tentative): FlashFlood Submissions
    NFFD’s online journal, FlashFlood, will be reading submissions for the next FlashFlood project which sees flash posted every 5 to 10 minutes throughout the whole of National Flash Fiction Day.
  • 18 June – 19 June 2022: The Write-In
    Visit The Write-In on National Flash Fiction Day for a generous helping of writing prompts, and a chance to have your responses published at The Write-In.

As always, if you're running a flash event or have other ideas as to how to celebrate National Flash Fiction Day, feel free to get in touch.  We would love to hear from you, no matter where you are in the world.

Come join us!

I am sharing the news that I have decided to step down as Co-Director of National Flash Fiction Day (UK).

This year marked National Flash Fiction Day’s tenth anniversary, which is a huge milestone not only for National Flash Fiction Day itself but for the celebration of flash fiction within the community in the U.K. and across the globe. I joined the team in 2015 and it has been remarkable to see National Flash Fiction Day and the flash fiction community itself blossom over the years. It has been a real privilege to be a part of this story, but I feel that our tenth year marks the right moment for me to pass one of the torches on to someone new.

I want to thank everyone who I have had the utmost joy to work with over the years. With a project such as this there will always be too many people to name, but I would like to thank Calum Kerr for masterminding National Flash Fiction Day in the first place, and Kevlin Henney, Tim Stevenson, and Amy Mackelden who helped show me the ropes when I joined the party. Thank you to my fellow anthology co-editors, Nuala O’Connor, Meg Pokrass, Alison Powell, Joanna Campbell, and Nod Ghosh. A special thank you to my fellow Co-Directors, Diane Simmons and Ingrid Jendrzejewski, who will continue bringing National Flash Fiction Day and all that comes with it to so many people.

Finally, I offer my deepest gratitude to every writer who has trusted me with their words and every reader who read them.

Santino Prinzi