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Welcome to the second in our series of interviews with this year's National Flash Fiction Day Anthology editors and Microfiction Competition judges! Submissions for the Anthology and Microfiction Competition are open from 1 December 2021 to 15 February 2022.

This week, Diane Simmons chats with Christopher Allen, one of this year's judges for the 2022 NFFD Microfiction Competition, about movement, editing and crafting a collection of flash....

 

Chris Allen

Diane: You have at times described yourself as a nomad. Do you think moving from place to place affects what you write about or how you write it?

Christopher: Indirectly maybe? Characters and situations I’ve encountered around the world do show up in my writing, but only rarely. The tree in ‘Fred’s Massive Sorrow’ was inspired by a tree growing on the top of a building in the middle of Vienna. A man working on the Mekong in Cambodia inspired ‘Kerosene Man’. A river in South Tyrol is the river in ‘Providence’. I just happened to be in Siena during The Feast of Santa Caterina, the memory of which forms the setting for my story ‘Santa Caterina’—but these are exceptions in my writing. I’m usually very much an ‘in-the-mind’ writer.

Always being on the road, though, does affect the way I write. I write on trains and planes or sometimes not at all. I scribble lines on scraps of paper and stuff them in my backpack. I think about stories for months before I write anything. I don’t have a desk or even a bookshelf, but I have memories of both. Writing for me is always a struggle to shut out the commotion around me.

Diane: In your role of editor at SmokeLong Quarterly, you must read a huge number of flash fictions. Is there any advice you can give entrants to your competitions on writing a successful flash or anything you would particularly like to see?

Christopher: I think around 5000 submissions a year since 2008? As a team, the SmokeLong editors read around 3000 submissions each quarter. Honest work that shines through every narrative layer, from word to concept, has a good chance of doing well in a SmokeLong competition. Something innovative with heart will stand out.

Diane: Can you recall a flash fiction that made you cry?

Christopher: When I received my copy of SmokeLong Quarterly: The Best of the First 10 Years anthology in 2014, I took it to the Greek restaurant around the corner from my house in Munich. I remember sitting there alone and choking back tears at more than a dozen of the stories. I don’t remember the specific stories that made me cry, but there were lots. ‘A Soldier’ by Siamak Vossoughi made me cry the first time I read it. ‘Rascal’ by Brendan Stephens makes me cry every time I read it in my Elements of Flash workshop. And lots of my own stories. I get so choked up when reading ‘What if All the Oceans’ that I’ve decided not to try to read it in public again, especially if I’ve had wine.

Diane: Your collection Other Household Toxins was published in 2018. Did you enjoy the process of putting together a collection? Do you have any tips that you’d like to share?

Christopher: Oh yes. The process was satisfying. I love the jigsaw nature of creating a collection. Other Household Toxins went through several permutations. At first the publisher wanted it to be a craft book, but I decided it was a couple of decades and a few collections too soon to make a craft book using exclusively my own work.

I’m not great with advice. Everyone has their own take on what works and what doesn’t. Don’t worry too much. Include only the stories you love. I’ve written and published quite a few stories I don’t love, and they will never be in a collection. A couple of years ago I made a commitment to myself to stop sending out stories just to send out stories.

Diane: Writing and editing must keep you very busy. What do you like to do in your spare time?

Christopher: Editing is a full-time job. SmokeLong is a full-time job. We have a team of talented editors who work so hard. I am continually impressed and humbled by how much work they put into the feedback they give.

Spare time. Oh god. I try to do as much sport as I can. I hike and cross-country ski. In months that are not cold, I try to cycle as much as possible. My dream holiday is just getting on my bike and cycling from village to village until I’m far far away.

 


Christopher Allen is the author of the flash fiction collection Other Household Toxins and the editor-in-chief of SmokeLong Quarterly. His work has appeared in Indiana Review, Split Lip, Booth, The Best Small Fictions and many other fine places. An instructor for more than 30 years, he teaches the flash narrative in workshops around the world, mostly online these days. He is a nomad.

A huge thank you to everyone who submitted their Novella-in-Flash.

If your name is on the list we would love you to celebrate on social media, but to keep things anonymous for judging please do not reveal your title.

Congratulations to all the authors listed below!

  • A Biscuit Crumb Memoir
  • A Time-traveller's Journey Beyond the End of the Universe Expressed in Quanta of Madness Tragedy and Love
  • Can You Die From a Tattooed Bra?
  • Chasing the Dragon
  • Lessons in Translation
  • Let the Demons Tiptoe
  • Marietta Imagines Herself
  • Sybilla
  • The Clothes Make the Man
  • The Lives of Tita

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Welcome to the first in our series of interviews with this year's National Flash Fiction Day Anthology editors and Microfiction Competition judges! Submissions for the Anthology and Microfiction Competition are open from 1 December 2021 to 15 February 2022.

This week, Diane Simmons chats with Karen Jones, one of this year's editors for the 2022 NFFD Anthology, about reading in public, humour, her novella-in-flash, as well as what she is (and isn't) looking for when reading anthology submissions....

 

Photograph of Karen Jones

Diane: Firstly, thank you for agreeing to be a co-editor of this year’s anthology. The theme is FREEDOM. Is there anything you would like to particularly see in submissions? Or not see?

Karen: Thank you for the invite – I’m delighted to be part of NFFD. I’d love to see some wild interpretations of the theme – things I hadn’t thought of, things that make me sit up and take notice. I always say when I’m judging or acting as submissions editor that I want you to surprise me, and it’s no different here. Themes can be constricting but I hope this one can be interpreted widely enough to allow people do something different. Or, you know, if you’re telling an old story, at least tell it in a new way.

I don’t particularly want to see a lot of pandemic stories, purely because I’ve seen so many already, and I’m also not a big fan of twist endings. Other subjects it’s probably best to avoid, again, because we see them so often, are dementia/Alzheimer’s, cancer, death of a child. I’m not saying don’t write about any of these things, just be aware that you may be up against lots of others writing on the same themes, and that immediately reduces your chances of being accepted.

Diane: I always enjoy hearing you perform your stories. Do you have any advice for writers who are perhaps daunted by the prospect of reading out a flash for the first time?

Karen: There’s a standing joke amongst people who first heard me try to perform that I sent earthquake tremors through Partick in Glasgow. I trembled so much that the paper I read from shook, my legs wobbled, my voice quivered. The next time I was due to read I contacted a friend who was a seasoned performer – she even read one of her poems at the opening of the Scottish Parliament – and she told me to read something already published and to say to myself, ‘This is good. It’s objectively good. It’s not something only your pals or family liked – it’s published, it’s worthy. And if the audience don’t get that, sod them.’ While the last part made me laugh, it turned out be excellent advice. Now I absolutely love performing, love the applause, love the validation. I’ve gone from trembling wreck to needing someone to wrestle the microphone out of my hand so someone else can get a turn. Believe in yourself and your words is the takeaway from this. At a more basic level, practise, practise, practise. And read much more slowly than feels natural. And remember – everyone listening/watching wants you to do well. Everyone in that audience is on your side. They want you to succeed, and they will help you do that by cheering for you at the end. And breathe. Remember to breathe.

Diane: Your novella-in-flash When it’s Not Called Making Love was published by Ad Hoc Fiction in 2020. I have head you mention that it draws very much from your own life. Is this something you do much of in the rest of your writing?

Karen: A lot of my stories and flashes and short stories, do, to some extent, draw on my life and experiences. When you write things that have happened to you or people you know, there’s an authenticity to the voice and character that helps the reader connect emotionally to the story. The best stories and characters draw the reader in, make them believe, make them feel. So, yes, I do draw very much from my own life and my own country.

Diane: You use a lot of humour in your flash fictions. Humour can be difficult to pull off. Do you have any tips?

Karen: Funny is hard. It’s probably one of the most difficult genres because, more than any other, it is so subjective. Think of how often you and a friend have disagreed over what is a funny film or sitcom or book. Restraint is probably the keyword where it comes to writing comedy. It can be so tempting to rush in, trying too hard, filling stories with endless funny situations, constant one-liners, all characters having hilarious names, puns by the pound… and that’s where it falls flat. Trying too hard is the worst thing you can do with humour. A gentle touch is, for me, better. Humour tucked into a dark story, or all out humour but with subtlety. Not easy, but so worthwhile when it’s done well. I’ve heard people say that if you laugh at one of your own jokes, you should cut it. I disagree. If you make yourself laugh, cherish it, nourish it – that’s where the gold lies.

Diane: Do you need silence or an empty house to write or would you rather be in a crowded café or a room full of people?

Karen: I don’t think I’d enjoy writing in a room full of people or busy café, though I’ve never really tried. However, I used to get the bus into Glasgow and then walk two miles down to Kelvingrove Art Galleries and sit in in the gallery that exhibits the Scottish Colourists, put classical music on my iPod and write for a couple of hours. That was probably my most productive writing period. On the bus and on the walk, I’d listen to passing conversations and make mental notes of things I could use. At the galleries, I’d people watch, always finding new characters. There was so much material right there. In the past few years, that hasn’t been possible, but I do still love to block the world out by plugging into some Mozart and just writing rambling nonsense until something starts to feel like it might be a story. I have a bit more time now, so may well start my bus journeys and walks to the galleries again. If you see me on the bus, whisper so I don’t steal your words.

*I know very little about art or classical music – I think that may have helped, because I wasn’t distracted by it, I just enjoyed being immersed in it. *

 


Karen Jones is a flash and short story writer from Glasgow, Scotland. Her flashes have been nominated for Best of the Net, Best Micro Fiction and The Pushcart Prize, and her story Small Mercies was included in Best Small Fictions 2019 and BIFFY50 2019. In 2021 she won first prize in the Cambridge Flash Fiction Prize, Flash 500, Reflex Fiction and Retreat West Monthly Micro and was shortlisted for To Hull and Back, Bath Flash Fiction, Bath Short Story Award and longlisted for Fractured Lit Flash Fiction Prize. Her work has been published in numerous anthologies and magazines. Her novella-in-flash, When It’s Not Called Making Love is published by Ad Hoc Fiction. She is Special Features Editor at New Flash Fiction Review.

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National Flash Fiction Day is OPEN for submissions!

It's that time of year again; National Flash Fiction Day is OPEN for submissions to the 2022 NFFD Anthology & Microfiction Competition! We'll be reading submissions from 1 December to 15 February.

Please note that these are two separate projects run by two separate teams with two separate submissions processes.  You can read about both below....

NFFD Anthology

The theme of this year's National Flash Fiction Day Anthology is FREEDOM.

What do you think of when you think of freedom? Freedom from, freedom to do, freedom to be?

Does your mind go to prisons and zoos or to protest marches and politics or to leaving the office on a Friday, packing a bag and heading off on holiday? Or is it simply freedom of thought? Or is it George Michael belting out that classic? But maybe you have a very different view of freedom; go on, surprise us!

Feel free to interpret FREEDOM however you wish, in 500 words or fewer.  You do not need to include the word 'freedom' in your piece.

This year, we are thrilled to announce that we will be awarding two Editor's Choice Awards.  The 2022 editors, Karen Jones and Chris Drew will each select one piece from the accepted stories to receive a £50 prize.  Find out more about our editors here and keep an eye on our news feed for their interviews early next year.

You can read our full anthology submission guidelines here or go straight to our submission manager, Duosuma, where you can submit your work.

NFFD Microfiction Competition

We're reading flash of up to 100 words on any theme.

This year, we're offering:

  • £150 for first place
  • £100 for second place
  • £50 for third place
  • seven awards of £20 for highly commended pieces.

All winning and highly commended flash will be published both online and in the NFFD print anthology.

Our judges are that Christopher Allen, Joanna Campbell, Tracy Fells, and Damhnait Monaghan.  We'll be posting interviews with our judges in the new year, but in the meantime, you can read more about our panel here.

We are not able to consider simultaneous submissions this year, so please don't send us work that will be under consideration elsewhere before we announce the  results on or before 15 March 2022.  Our full competition guidelines and details of how to submit by email can be found here.

 

Our Anthology and Microfiction teams look forward to reading your work!

With our submission window set to open in less than a week, we'd like to take a moment to introduce you to this year's judging panel.  This year, we're super excited to announce that Christopher Allen, Joanna Campbell, Tracy Fells, and Damhnait Monaghan will be reading your submissions.  These fantastic flash writers, readers and editors will be doing it all: reading all the submissions that come in, compiling a shortlist, and then deciding on the winning and highly commended pieces.

Our submission window opens on Wednesday, 1 December 2021 and closes on Tuesday, 15 February 2022.  We will be announcing results on or before 15 March 2022We'll be reading flash of up to 100 words on any theme, but we are not able to consider simultaneous submissions this year.

For the 2022 competition, we're thrilled to be able to increase our prize pot by including cash prizes for all of our highly commended runners-up as well as our first, second and third place winners. All winning and commended pieces will be published online as well as in the 2022 National Flash Fiction Day print anthology. Check back on 1 December for full details and submission guidelines.

In the new year, we'll be posting interviews with our judges so you can get a better sense of what they're looking for, but in the meantime, you can read more about each of them below.

Huge thanks to our judges for taking on the 2022 NFFD Microfiction Competition and we look forward to reading your work!


2022 Microfiction Competition Judges

Submissions are open from 1 December 2021 to 15 February 2022.

Chris AllenChristopher Allen is the author of the flash fiction collection Other Household Toxins and the editor-in-chief of SmokeLong Quarterly. His work has appeared in Indiana Review, Split Lip, Booth, The Best Small Fictions and many other fine places. An instructor for more than 30 years, he teaches the flash narrative in workshops around the world, mostly online these days. He is a nomad.

Joanna CampbellJoanna Campbell is a full-time writer from the Cotswolds. Her short stories have won first place in the 2011 Exeter Writers competition, the 2013 Bath Short Story Award Local Prize, the 2015 London Short Story Prize, the 2018 Magic Oxygen Literary Prize and the 2018 Retreat West Short Story Prize. Joanna’s flash fiction won second place in the 2017 Bridport Prize, for which her short stories have been shortlisted many times. Her novella-in-flash, A Safer Way to Fall, was a runner-up in the inaugural Bath Flash Fiction Award and published in How To Make A Window Snake (Ad Hoc Fiction). Her short story collection, When Planets Slip Their Tracks, was published in 2016 (Ink Tears). It was shortlisted for the Rubery International Book Award and longlisted for the Edge Hill University Story Prize. Her novel, Tying Down The Lion, was published in 2015 (Brick Lane Publishing). Her next novel, Instructions for the Working Day, will be published in 2022 (Fairlight Books). She is on Twitter at @joannacampbell_.

Tracy FellsTracy Fells was the 2017 Regional Winner (Europe and Canada) for the Commonwealth Short Story Prize. Her short fiction has been widely published in print journals and online, including: Granta, Brittle Star, Reflex Fiction, Popshot Quarterly, Firewords, Funny Pearls and the Bath Flash Fiction Award anthologies (2019 & 2020). She has been shortlisted for the Bridport and Fish Flash Fiction prizes, placed in the Reflex Fiction competition and Highly Commended in the NFFD Microfiction competition (2016 & 2020). In 2016 she was awarded an MA with Distinction in Creative Writing from Chichester University. She is a regular reader for several large short story competitions and leads writing workshops on short fiction. Tracy also writes novels and was a finalist in the 2018 Richard & Judy ‘Search for a Bestseller’ competition. Her debut novella-in-flash Hairy on the Inside was published by Ad Hoc Fiction in 2021. She tweets as @theliterarypig.

Damhnait MonaghanDamhnait Monaghan was born and grew up in Canada but now lives in the U.K. Her flash fiction has won or placed in various competitions and is widely published and anthologised. She has been nominated for the Pushcart Prize, Best Small Fictions, and Best Microfictions. Her novella in flash The Neverlands (V.Press) won Best Novella in the 2020 Saboteur Awards. Her debut novel New Girl in Little Cove is out now with Harper Collins.

 

The start of our 2022 Anthology and Microfiction Competition submission windows is just around the corner, so we thought we'd introduce you to this year's editor and let you in on the 2022 theme.

We are delighted to announce that the 2022 National Flash Fiction Day anthology will be edited by NFFD's Karen Jones and Guest Editor Chris Drew.

The theme of this year's National Flash Fiction Day Anthology is FREEDOM.

What do you think of when you think of freedom? Freedom from, freedom to do, freedom to be?

Does your mind go to prisons and zoos or to protest marches and politics or to leaving the office on a Friday, packing a bag and heading off on holiday? Or is it simply freedom of thought? Or is it George Michael belting out that classic? But maybe you have a very different view of freedom; go on, surprise us!

Feel free to interpret FREEDOM however you wish, in 500 words or fewer, and submit your stories by 15 February 2022.

We'll be opening submissions on 1 December 2021, at which time you'll be able to read our full anthology submission guidelines here or on Duosuma.

We're looking forward to reading your work!


 2022 National Flash Fiction Day Anthology Editors
Anthology Submissions are open from 1 December 2020 to 15 February 2022.

Photograph of Karen Jones Karen Jones is a flash and short story writer from Glasgow, Scotland. Her flashes have been nominated for Best of the Net, Best Micro Fiction and The Pushcart Prize, and her story Small Mercies was included in Best Small Fictions 2019 and BIFFY50 2019. In 2021 she won first prize in the Cambridge Flash Fiction Prize, Flash 500, Reflex Fiction and Retreat West Monthly Micro and was shortlisted for To Hull and Back, Bath Flash Fiction, Bath Short Story Award and longlisted for Fractured Lit Flash Fiction Prize. Her work has been published in numerous anthologies and magazines. Her novella-in-flash, When It’s Not Called Making Love is published by Ad Hoc Fiction. She is Special Features Editor at New Flash Fiction Review.

Photograph of Chris DrewChristopher M Drew is a writer from Yorkshire. He started submitting flash fiction in 2015 and since then has been published widely in online journals and print anthologies. He has won second prize in the Bath Flash Fiction (2016), Reflex Fiction (2018), and Forge Literary Flash Fiction (2019) competitions. His SmokeLong Quarterly story Alligator was selected for Best British and Irish Flash Fiction 2019, and When we were young, originally published in trampset, was selected for Best Microfiction 2021. He has been nominated for Best Small Fictions and Best of the Net, and was one of the founding editors of the historical flash fiction journal FlashBack Fiction. You can connect with Chris on Twitter (@cmdrew81), or through his website (https://chrisdrew81.wixsite.com/cmdrew81).

It may be cold and dark out, but we’re already dreaming about a flash-tastic summer, and making plans….

First and foremost, mark your calendars: we’re delighted to announce that National Flash Fiction Day 2022 will take place on Saturday, 18 June 2022. We’ll celebrate with a day full of flash fun involving writing prompts, a 24 hours of flash publication at FlashFlood, and the launches of the 2022 NFFD Anthology and our Novella-in-Flash Award winner’s novella, among other things.

If you’d like to get involved (and we hope you do!), here are some dates to look out for:

  • 1 Dec 2021 – 15 Feb 2022: Anthology Submissions
    We’re looking for flash up to 500 words for the 11th annual NFFD Anthology...with our 2022 editors and theme to be announced very soon.
  • 1 Dec 2021 – 15 Feb 2022: Microfiction Competition Submissions
    We’ll be accepting microfiction competition entries for flash up to 100 words for our annual microfiction competition. There is no theme for the microfiction competition
  • 2 May 2022 – 8 May 2022 (tentative): FlashFlood Submissions
    NFFD’s online journal, FlashFlood, will be reading submissions for the next FlashFlood project which sees flash posted every 5 to 10 minutes throughout the whole of National Flash Fiction Day.
  • 18 June – 19 June 2022: The Write-In
    Visit The Write-In on National Flash Fiction Day for a generous helping of writing prompts, and a chance to have your responses published at The Write-In.

As always, if you're running a flash event or have other ideas as to how to celebrate National Flash Fiction Day, feel free to get in touch.  We would love to hear from you, no matter where you are in the world.

Come join us!

This year, Farhana Khalique and Anita Goveas generously offered a free, one-hour workshop, 'Layers in Flash Fiction' as part of the tenth anniversary National Flash Fiction Day celebration.  The workshop was online and focused on how writers can use imagery, structures and titles to develop layers in flash fiction.

We had incredible demand and couldn't accommodate everyone who wanted to attend, so Farhana and Anita have recorded the workshop to share with the NFFD community.

You can access the video with this link to the Zoom session, using the passcode 'Z@fs5ZkM' (without the quotation marks).

Here is a link to the handout:

NFFD Workshop - Layers in Flash with Farhana Khalique and Anita Goveas

If you missed your chance to participate live this time -- or if you enjoyed the workshop and want more -- Anita and Farhana are running another workshop in the autumn (independent of National Flash Fiction Day).  It's called 'Building your house; laying the foundations for fabulous flash fiction', and will be 11am-1pm BST on Saturday the 9th October 2021.  (It's a steal at less than £6 and places are limited.)  You can find out more and register on the workshop's Eventbright link.

Huge thanks again to Farhana Khalique and Anita Goveas for running the workshop and sharing the materials with us!


Farhana Khalique is a writer, voiceover artist and teacher from London. Her stories are forthcoming or have appeared in the National Flash Fiction Day Anthology 2021, Leicester Writes Short Story Prize Anthology 2020, Reflex Fiction and more. Farhana has been shortlisted for The Asian Writer Short Story Prize, and she has won a Word Factory Apprentice Award. She is also the editor of Desi Reads and a submissions editor at SmokeLong Quarterly. Find Farhana @HanaKhalique and www.farhanakhalique.com.

Anita GoveasAnita Goveas is British-Asian and based in London. She’s on the editorial team at Flashback Fiction, an editor at Mythic Picnic’s twitter zine, and she’s an editor for the FlashFlood. She is one of the teachers on Dahlia Publishing’s 2021 ‘A Brief Pause‘ writer’s development programme. Her debut flash collection Families and Other Natural Disasters was published by Reflex Press in Sept 2020. Find her at @coffeeandpaneer and https://coffeeandpaneer.wordpress.com/.

National Flash Fiction Day kicks off in less than fourteen hours!  Here's what we've got going on tomorrow, and where you can find it.

FlashFlood

For 24 hours straight starting at 00:01 BST, we’re publishing one flash every 5 to 10 minutes over at NFFD’s online journal, FlashFloodThen, on Sunday, we're featuring work from the Wandsworth Carers Writers Group, the latest in our Community Flash series.

The Write-In

Over at NFFD’s The Write-In, we’re posting a flash prompt every hour on the hour from 00:00 – 24:00 BST on 26 June 2020. You have until 23:59 BST on Sunday, 27 June to submit your responses for a chance of publication.

Workshop: Layers in Flash Fiction
1:30pm-2:30pm BST, 26 June 2021

Due to popular demand we are looking into recording the workshop and making the recording freely available to all. We'll post more details as soon as we can!

In this free, one-hour workshop, Farhana Khalique and Anita Goveas will cover how you can use imagery, structures and titles to develop layers in your flash fiction.  Participants can look forward to a session packed with reading, writing exercises, and discussion.  Places for the live event have now gone, but we are trying to arrange to make a recording available for all.

The Great Festival Flash Off (externally run)
11:00am - 8:00pm BST, 26 June 2021
including 3:00pm-3:45pm: Special Flash Addict session with NFFD

The wonderful folks at the Flash Fiction Festival are running a full day of fantastic flash fiction programming.  Do have a look at their full schedule of events on 26 June and beyond.  The directors of National Flash Fiction Day UK will be joining them from 3:00 - 3:45pm to discuss the history of NFFD and read some flash from the archives.

2021 NFFD Anthology Launch
7:00pm BST, 26 June 2021

Join us from 7pm BST for the 2021 NFFD virtual anthology launch. Four videos of readings from the anthology will be posted every quarter of an hour. Everyone is welcome to view the videos here, chat with us at our FaceBook event and join us on Twitter @nationalflashfd to share the love.  Videos won't start appearing until 7:00pm BST on 26 June 2021, but they will be available to watch any time after that if you can't join us 'live' for the launch. All welcome!

Beyond 26 June...

Novella-in-Flash Panel
7:30pm-8:30pm BST, 30 July 2021

As part of our tenth year celebrations we are excited to announce a special event focused on the Novella-in-Flash, in plenty of time for anyone interested in submitting to our Novella-in-Flash Award.  Johanna Robinson, author of Homing (Ad Hoc Fiction), will be our host for the evening, and will be discussing novellas-in-flash with Dan Crawley, Eleanor Walsh, Karen Jones, Jupiter Jones, and Tom O’Brien.  (You can read more about everyone here.)  This online event is free to attend.  If you would like to receive a Zoom link please email Jeanette Sheppard at nffdnif@gmail.com.

And of course, keep an eye on our home page for an up-to-date list of submission windows for our various projects.

As part of our tenth year celebrations we are excited to announce a special event focused on the Novella-in-Flash. We’d love you to join us for our panel on Friday 30th July (19:30 to 20:30 UK BST).

We are thrilled that Johanna Robinson, author of Homing (Ad Hoc Fiction), will be our host for the evening. We are equally thrilled to announce our panel members — Dan Crawley, Eleanor Walsh, Karen Jones, Jupiter Jones, and Tom O’Brien.  (You can read more about everyone below.)

There will be an opportunity to ask questions on the chat bar at the end of the evening. This online event is free to attend.  If you would like to receive a Zoom link please email Jeanette Sheppard at nffdnif@gmail.com.


Johanna RobinsonJohanna Robinson is based near Liverpool, UK, and has been writing short fiction for around five years. Her work has been featured in various magazines and anthologies, including SmokeLong, Reflex Press and Mslexia. In 2020,  she won the TSS Cambridge Prize for Flash Fiction and the Bath Flash Fiction Award, and in 2019 Ad Hoc Fiction published her novella-in-flash Homing, which follows a Norwegian Resistance family in the Second World War. More of her work can be found at http://www.johanna-robinson.com and on Twitter @JohannaWordpool.

Dan CrawleyDan Crawley is the author of the novella Straight Down the Road (Ad Hoc Fiction, 2019) and the short story collection The Wind, It Swirls (Cowboy Jamboree Press, 2021). His writing appears in a number of journals and anthologies, including JMWW, Lost Balloon, The North American Review, SmokeLong Quarterly: The Best of the First Ten Years 2003-2013, Wigleaf, Quarterly West, and Atticus Review. He is a recipient of an Arizona Commission on the Arts creative writing fellowship. Also, he is a two-time Best Small Fictions nominee, a two-time Best of the Net nominee, a Pushcart Prize nominee, and appears on the Wigleaf Top 50 longlist (2019, 2021). His work won a Bath Flash Fiction Award 2019 Novella-in-Flash highly commended prize. Recently, he has been a Contributing Editor for Best Microfiction and a Little Patuxent Review fiction reader. Find him at

Jupiter JonesJupiter Jones grew up on the north-west coasts of Cumberland and Lancashire. The first was wild and secretive, the second trashy and jaded; she loved them both and they haunt her writing. Following a brief spell in London to complete a PhD in Spectatorial Embarrassment at Goldsmiths, she now lives in Wales and writes short and flash fictions. She is the winner of the Colm Tóibín International Prize, and her work has been published by Aesthetica, Brittle Star, Fish, Scottish Arts Trust, and rejected by many, many others. Her novella-in-flash The Death and Life of Mrs Parker was shortlisted in the Bath 2021 competition and will be published by Ad Hoc Fiction later this year, and Lovelace Flats was runner up in the Reflex Press novella competition and will be published in 2022. https://jupiter-jones.com
Karen JonesKaren Jones is a flash and short story writer from Glasgow, Scotland. She is a perennial long/short-lister – Commonwealth Short Story Competition, Bath Flash Fiction Award, Bath Short Story Award, To Hull and Back, TSS 400, HISSAC etc. – and has won prizes with Mslexia, Flash 500, Words With Jam, Ink Tears, Ad Hoc Fiction, Retreat West and won first prize in The Cambridge Flash Fiction Prize 2021. Her work is published in numerous ezines, magazines and anthologies. Her story Small Mercies was nominated for, Best Small Fictions, Best of the Net, a Pushcart Prize, and is included in Best Small Fictions 2019 and the BIFFY50 2019. Her novella-in-flash When It’s Not Called Making Love is published by Ad Hoc Fiction. She is Special Features Editor at New Flash Fiction Review. You can find her on Twitter @karjon.
Tom O'BrienTom O'Brien is an Irishman living in London. His Novella-in-Flash Straw Gods is published by Reflex Press, and his Novelette-in-Flash, Homemade Weather, with Retreat West. His work has been Pushcart and Best Microfictions nominated, and he is the winner of the 2021 NFFD NZ Best Microfiction. His flash fiction and short stories can be found in print in various anthologies such as Blink-Ink and Bath Flash Fiction (forthcoming) as well as many sites around the web including Ellipsis Zine, Reflex, Spelk and 50-Word Stories. He’s on Instagram and twitter @tomwrote and has a class on Skillshare called Introducing the Novella-in-Flash. His website is www.tomobrien.co.uk.
Eleanor WalshEleanor Walsh is a PhD graduate from the University of Plymouth. She lives in Cornwall where she works as an English tutor and creative editor. Her novellas 'Birds with Horse Hearts', set in Nepal, and 'Stormbred', set in Cornwall, are available from Ad Hoc Fiction. @EPutali